Matthew: The Mentor’s Gospel A Typological Approach (1)


In a couple of months the lectionary will turn its pages to Year A for which Matthew is the primary gospel focused on. This commentary on Matthew I intend as background for those who follow the lectionary in their preaching. Each time through the lectionary cycle I try to reread the Gospel of the year with a commentary I’ve not used extensively that takes a distinctive approach to the gospel. For this go around on Matthew I’ve chosen Peter Leithart’s two volumes on Matthew titled The Gospel of Matthew Through New Eyes.

Leithart adopts a typological approach to Matthew. That is, he sees the author reading and explaining Jesus’ life and work in terms of earlier key figures and the history of the people of Israel. These figures and events are the “new eyes” in the title of Leihart’s commentary. Instead of an historical approach that attempts to peer through the text at “what really happened and when” or a devotional or reader-response approach which looks at the text for what it says to me today that provides meaning or inspiration for daily living, Leithart looks at the story embedded in the way Matthew has put his account of Jesus’ life and work together. He does not neglect looking “through” the text as if it were a window[1] to see what lies “behind” it, or as if it were a mirror reflecting the image of the reader and their needs or interests “in front of” the text (as it were), he does not make either the focus of his reading. Rather he uses them to the degree that they serve his focal purpose of telling the story Matthew inscribes in the text and in the (artistic) way he had done it. And according to Leithart he does this by reading Jesus’ story as though he gathers up all the key figures and events in the Old Testament story and “recapitulates”[2] them (so to speak) in himself and brings them a climax and fulfillment.

This way of reading scripture is time-honored[3] and an effort to follow the principle of allowing scripture to interpret scripture itself. Not all interpreters appreciate or consider such an approach legitimate. But this is more of a modern conceit than anything else deriving from modernity’s insistence that the best and only truly meaningful way to interpret the Bible today is through the window to discern the historical reality (or lack thereof) behind it and evaluating its truth, significance, and authority in those terms.  

-Did it happen like the Bible says it did?
-By the people the Bible said did it?
-At the time the Bible says it did?
-Is it “possible” that what the Bible says happened could have happened according to modern science?

These are not the questions that animate Leithart’s work on Matthew. He’s aware of them, of course, but he believes this gospel’s account as if it were a piece of stained-glass art. Other principles than historical exactness (the Bible as a window approach) or personal meaning or inspiration (the Bible as a mirror approach), he tries to understand Matthew’s art, the way he has used the materials he had to work with, as his main principle for understanding his gospel.
And those materials are the story of Israel found in the Old Testament, especially as embodied in its key figures: Moses, Joshua, David, Solomon, and the prophet Jeremiah chief among them. Matthew, according to Leithart, connects the dots (so to speak) between these ancient figures and happenings and Jesus and the events in his life as their completion and fulfillment. In this way Matthew reflects a key premise of modern gospel studies: the gospels tell how the story of Israel reaches it appointed conclusion. In that story, so a typological approach affirms, we discover what was really happening in the figures and events used and correlated (whatever the case may be about their literal historical veracity) and from that what this story as completed and fulfilled by Jesus means for us and ought shape our lives.

The Mentor’s Gospel
Most commentators see some sort of educational design or intent behind Matthew’s gospel. His way of grouping Jesus’ teaching in five major blocks of topical material is doubtless the primary reason why. The ease of introducing new church members to Jesus’ movement and way, or to catechumenates, or even to a proposed “school” of Christian prophets, using it seems obvious. This accounts for why Matthew was the most popular of the four canonical gospels in the early church.

For preaching and teaching in the church today this gospel continues to offer rich possibilities. And reading it in a typological fashion enhances those possibilities. Though it is not my purpose to point all this out I hope these possibilities will be apparent to readers as we move along.

It would be silly and stupid to claim this is the only way to read Matthew’s Gospel. Other commentaries take a different tack than typological to understanding and explaining it. But the typological has its virtues others don’t, chief among them a refresher course in the Old Testament story it builds off of. We today do not know that story well enough to pick up on other than the most obvious clues (like Matthew’s frequent “This was written in order to fulfill …”). It is good to have a guide like Peter Leithart to help us find our way to them.
The next post will take a look at Leithart’s proposed typological structural outline of the gospel so we can see the forest before we start looking at the trees. I’ll also make some comments on the authorship, date, and place of writing of Matthew.



[1] The imagery of the Bible as a window, mirror, or piece of stained-glass art I owe to Trevor Hart’s Faith Thinking: The Dynamics of Christian Theology.
[2] Inspired by the great second century biblical theologian Irenaeus of Lyon.

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