Posted on Feb 15, 2015
By Chris Hedges
BOSTON—“Fifty Shades of Grey,” the book and the movie, is a celebration of the sadism that dominates nearly every aspect of American culture and lies at the core of pornography and global capitalism. It glorifies our dehumanization of women. It champions a world devoid of compassion, empathy and love. It eroticizes hypermasculine power that carries out the abuse, degradation, humiliation and torture of women whose personalities have been removed, whose only desire is to debase themselves in the service of male lust. The film, like “American Sniper,” unquestioningly accepts a predatory world where the weak and the vulnerable are objects to exploit while the powerful are narcissistic and violent demigods. It blesses this capitalist hell as natural and good.
“Pornography,” Robert Jensen writes, “is what the end of the world looks like.”
We are blinded by self-destructive fantasy. An array of amusements and spectacles, including TV “reality” shows, huge sporting events, social media, porn (which earns at least twice what Hollywood movies generate), alluring luxury products, drugs, alcohol and magic Jesus, offers enticing exit doors from reality. We yearn to be rich, powerful and celebrities. And those we must trample to build our pathetic little empires are seen as deserving their fate. That nearly all of us will never attain these ambitions is emblematic of our collective self-delusion and the effectiveness of a culture awash in manipulation and lies.
Porn seeks to eroticize this sadism. In porn women are paid to repeat the mantra “I am a cunt. I am a bitch. I am a whore. I am a slut. Fuck me hard with your big cock.” They plead to be physically abused. Porn caters to degrading racist stereotypes. Black men are sexually potent beasts stalking white women. Black women have a raw, primitive lust. Latin women are sultry and hotblooded. Asian women are meek, sexually submissive geishas. In porn, human imperfections do not exist. The oversized silicone breasts, the pouting, gel-inflated lips, the bodies sculpted by plastic surgeons, the drug-induced erections that never subside and the shaved pubic regions—which cater to porn’s pedophilia—turn performers into pieces of plastic. Smell, sweat, breath, heartbeats and touch are erased along with tenderness. Women in porn are packaged commodities. They are pleasure dolls and sexual puppets. They are stripped of true emotions. Porn is not about sex, if one defines sex as a mutual act between two partners, but about masturbation, a solitary auto-arousal devoid of intimacy and love. The cult of the self—that is the essence of porn—lies at the core of corporate culture. Porn, like global capitalism, is where human beings are sent to die.
Read more at http://www.truthdig.com/report/item/pornography_is_what_the_end_of_the_world_looks_like_20150215